From Farm to Table and Gallery to Gift—A Moroccan Day of Indulgence and Inspiration (Day 5)

I awoke and blinked into the golden Moroccan light, hardly believing it was already Wednesday, the last full day in Essaouira. Since stepping off the plane the previous Saturday, the world I’d left behind had melted away: work, customers, endless problem-solving, even the distant rumblings of the world economy, all had faded into irrelevance. This journey had done its magic, untangling the knots of daily life and filling the space with colour, flavour, and discovery.

Each sunrise brought new marvels, and I found myself immersed in the rhythms of Morocco, its vibrant markets, ancient traditions, and the intoxicating pulse of its cuisine. Guiding me through it all was Amanda: not just my personal guide and masterful chef, but a kindred spirit whose passion for Morocco’s culture and food opened doors I never knew existed. With every shared meal and story, I felt a sense of wonder grow, a reminder that travel, at its best, is a gentle awakening to beauty, friendship, and the joy of being fully present in the world.

Making a rich saffron hollandaise is one of life’s true pleasures, luxurious, golden, and deeply satisfying. I’ve had the delight of whisking it to silkiness a few times before, most memorably at Rick Stein’s Cookery School in Padstow, where it crowned a beautiful ‘tronçon’ of turbot. This morning in Essaouira, the sauce would take centre stage once again. Earlier in the week, we had cured some trout in a vivid blend of beetroot, salt, and sugar, and now it was ready for its moment: breakfast as an event. Slices of the jewel-toned trout were paired with creamy avocado and a perfectly poached egg, all generously draped in that opulent saffron hollandaise and finished with a satisfying crack of fresh black pepper. Each bite was a celebration—of technique, of flavour, and of the sheer joy of starting the day with something extraordinary.

Way back in 2013, I found myself in Puglia, at Masseria Montenapoleone, an organic farm nestled in the sun-drenched heart of southern Italy. It was my very first cooking vacation and the spark that ignited countless culinary adventures to come. There, I learned the subtle art of using flowers not just for beauty, but to create a vibrant, bio-diverse environment: drawing the so-called “unwanted” plant eaters away from crops, while inviting in the pollinators and beneficial insects that keep nature in balance. Akal, here in Morocco, is very much a kindred spirit—an eco-farm that weaves flowers into every aspect of its philosophy. At Akal, the blooms aren’t just guardians of the fields; they’re also an integral part of the tasting experience, gracing the table and infusing the most imaginative, flavourful menus with colour and fragrance. Dining here is more than a meal—it’s a celebration of nature’s harmony, and a reminder of how the smallest details can transform the way we taste the world.

Our lunchtime destination was no more than 15 minutes drive, Domaine Du Val D’Argan. Domaine du Val d’Argan is a remarkable testament to vision, perseverance, and the unique character of Moroccan terroir. Founded by Charles Melia, a seasoned winemaker with deep roots in both France and Morocco, the vineyard sits just outside Essaouira, where the Atlantic winds sweep over limestone and clay soils, echoing the Rhône valley’s own mistral. What began as a retirement dream became a pioneering adventure: Melia cleared stony ground by hand, planted the first Rhône varietals, and patiently learned to coax vines to thrive on the edge of the desert, sheltering them from fierce sun and wind with natural methods and organic care.

Today, Val d’Argan is a landscape of lush vine rows bordered by sorghum and eucalyptus, where dromedaries still help tend the land and the cellar holds the promise of Morocco’s finest vintages. The wines—ranging from bright, aromatic whites to robust reds and elegant rosés—capture the sun, wind, and wild spirit of their setting. Visiting the domaine is more than a tasting; it’s an immersion in a story of resilience and passion, where every glass reflects not only the land’s bounty but also the quiet determination of its founder. This is a vineyard where French tradition and Moroccan landscape meet, yielding wines—and memories—that are truly one of a kind.

I found myself ‘in the moment’ once again, shaded beneath the branches of an ancient olive tree at Domaine du Val d’Argan. Plates of freshly prepared food appeared in a steady, generous procession, vivid salads bursting with local flavour, a fragrant tagine, and turkey roasted on kebab skewers, each dish a celebration of Moroccan abundance. Glasses of the estate’s wines flowed freely, each one a new discovery.

The “Gazelle de Mogador” in white, red, and rosé offered a taste of the Atlantic’s easy elegance, while the Val d’Argan range echoed the vineyard’s Rhône heritage, capturing the region’s sun and wind in every sip. Yet it was the Perle Grise that truly captured the spirit of the place for me, a wine as pale as morning light, delicately aromatic, with hints of citrus blossom and wild herbs, perfectly refreshing beneath the olive canopy. As the afternoon stretched on, a rich chocolate dessert arrived, rounding out a meal that was both relaxed and luxurious. At Domaine du Val d’Argan, the artistry of winemaking and the generosity of Moroccan hospitality come together in a setting as memorable as the wines themselves, a place where every glass tells a story, and every moment lingers long after the last sip. It was time to head back to Essaouira for some last minute exploration.

As we entered the medina, the air shimmered with the ethereal tones of a young man playing a handpan, his fingers coaxing otherworldly melodies from the spaceship-like drum that echoed off the ancient stone walls.

As the sun dips toward the Atlantic, the ancient medina of Essaouira began to pulse with an energy that is both timeless and electric, the unmistakable prelude to the Gnaoua World Music Festival. For a few magical days each year, the city’s labyrinthine alleys and windswept squares become a living stage, as hypnotic rhythms and haunting melodies spill from every doorway and rooftop. The air grows thick with the deep, trance-inducing thrum of the guembri, the metallic clatter of krakebs, and the soaring call-and-response of Gnaoua singers, their music weaving a spell that draws locals and travellers alike into its embrace.

Founded in 1998, the festival is a vibrant celebration of Gnaoua culture, descendants of West African slaves who brought with them a mystical musical tradition rooted in healing, spiritual trance, and communal memory. Over the years, the festival has blossomed into a global gathering, where Gnaoua masters share the stage with jazz virtuosos, blues legends, and musicians from every corner of the world. This fusion of sounds creates a heady, intoxicating atmosphere, where ancient African rhythms meet flamenco, reggae, rock, and Sufi chants, all under the open Moroccan sky.

The festival is more than a concert—it’s a living tapestry of history, spirituality, and artistic exchange. The music, once used in sacred rituals to heal and connect with the divine, now fills Essaouira’s medina with a sense of unity and celebration. For a few unforgettable nights, the city becomes a crossroads of cultures, a place where the boundaries between audience and performer, past and present, seem to dissolve in the intoxicating swirl of sound and spirit.

This stunning plate ( a present for my best friend and wife forever ), is a true testament to Moroccan artistry, its surface alive with intricate geometry and vibrant colour. Crafted in the traditional style of Fez, the design radiates from a central starburst, each petal meticulously hand-painted in shades of emerald green, saffron yellow, and soft rose. Delicate crosshatching and fine black lines create a mesmerizing lattice, while the outer border is woven with interlocking patterns that speak of centuries-old craftsmanship. The plate’s symmetry and precision are captivating, drawing the eye inward and inviting contemplation of the skill and patience required to create such a piece. More than just a vessel, it is a celebration of heritage, a beautiful reminder of Morocco’s rich ceramic traditions and the enduring allure of handmade work.

In the heart of Essaouira’s medina, you’ll often come across what locals call the “magic box”, a beautifully crafted container made from the region’s prized thuya wood. Native to Morocco’s coastal forests and especially abundant around Essaouira, ‘thuya’ wood is renowned for its rich, swirling grain, warm hue, and natural, cedar-like fragrance

Artisans here have honed their craft for generations, turning thuya burl into intricate puzzle boxes, lidded spheres, and inlaid treasures, each one polished to a satiny sheen and finished with lemon oil to enhance its natural luster. These boxes are more than just souvenirs; they’re a testament to Essaouira’s heritage of marquetry and woodworking, a tradition dating back to the 19th century when sultans commissioned decorative objects and furniture from the city’s master craftsmen.

Whether used to store spices, trinkets, or secrets, a thuya wood “magic box” from Essaouira is a piece of living history, fragrant, tactile, and always a little mysterious, as if it holds a story all its own. Our son loves his…

………………………………..Until Next Time………………………….L8ers

Earthquakes, Amazigh and Souks – An Adventure in Morocco (Day 1)

It was the dawn of January 2025, and a restless energy stirred within me. Work had been exhilarating -truly rewarding – but the relentless pace of the past few months left my mind yearning for a change of scenery. I count myself incredibly fortunate to have a family who not only understands my passions but celebrates them. As a gesture of gratitude, they gift me an annual passport to adventure: a chance to slip away on my own and immerse myself in new cultures and flavours. This cherished tradition began in 2013 with a soul-stirring journey to Puglia, and each year since, it has become my way to recharge, reflect, and rediscover the world – and myself.

In the early hours of September 8, 2023, the tranquil mountain communities near Dar Tassa were shaken to their core by Morocco’s most powerful earthquake in over a century. Centered in Al-Haouz province, this magnitude 6.9 quake unleashed violent tremors that tore through the High Atlas, toppling centuries-old homes and flattening entire villages nestled along rugged slopes.

The devastation was profound: roads became impassable, isolating survivors and delaying the arrival of aid, while families – many of whom depended on livestock and small-scale tourism, were left to sift through rubble in search of loved ones and remnants of their lives. In these remote valleys, where poverty and resilience intertwine, the earthquake’s scars run deep, marking a tragedy that will shape the region’s future for generations. There were at least 30 deaths in the village of Tassaouirgane, my 1st stop on my next food and culture trip.

I usually take great pride in crafting my own journey – my last adventure to Venice was a labour of love that unfolded over more than a year of meticulous planning. This time, however, I didn’t have the luxury of endless months; I was determined to set out in May or June. After hours of scouring the internet, a handful of enticing options emerged. Morocco had already captured my imagination based on a previous trip, but finding someone I could trust to meet my exacting standards was another matter entirely. I pour not just money, but precious vacation time and anticipation into these escapes, so choosing the right partner was essential. In the end, my decision hinged on responsiveness and intuition – who replied swiftly, and who truly understood what I was seeking?

So Morocco are a small, independent UK registered ‘Moroccan’ Holiday company providing high-quality, private tours of Morocco. Looking through the itineraries I found the kind of ‘vibe’ I was looking for so I quickly fired off an email to see what could be done within my budget, the response was impressive both in speed and content.

By mid January the contract was sealed, a few emails, a couple of adjustments and the itinerary was set. I booked my flights to make sure that I could get to Morocco and back, and now had a 5 day two centre trip, with my own driver (actually two), and the continued services of one Amanda (Chef/Guide), and wow, was she something extra extra special as all will become clear. The trip aligned with the end of Eid al-Adha.

Eid al-Adha, the Festival of Sacrifice, is a radiant celebration of faith, compassion, and unity observed by Muslims worldwide. Marking the culmination of the Hajj pilgrimage, it honours Prophet Ibrahim’s devotion and willingness to sacrifice, reminding us of the virtues of selflessness and gratitude. Families gather in joy, sharing festive meals and acts of charity, weaving together tradition and togetherness in a spirit of peace and generosity.

Linda, the owner of So Morocco also has a couple of other Morocco focussed businesses, Walking with Nomads and My Nomadic Kitchen each of their experiences promises a truly unique “off-grid” adventure, either venturing into the Sahara, or new food learning opportunities, from comprehensive showcase meal lessons to quick spice mix demos and snack preparations for your next picnic lunch. Experience the authenticity of Moroccan cooking by preparing meals over hot coals, savouring the flavours in their most natural state. .

The range of options is wonderfully diverse—spanning different locations, budgets, durations, and activities – yet every journey is designed to be sustainable in nature and gentle in its impact. Whether you find yourself living alongside nomadic tribes, learning from rural craftspeople, connecting with remote cooperatives, or engaging with pioneering professionals, environmental conservation remains at the heart of every trip. The impact is multi-layered, nurturing Morocco’s delicate natural heritage with genuine respect and care.

I’d be honoured to introduce you to Haj Brahim our host for the 1st evening, owner of Dar Tassa. The title “Haj” (also spelled “Hajj” or “El-Haj”) in the name Haj Brahim is a mark of deep respect in many Muslim cultures, including Morocco, signifying that Brahim has completed the sacred pilgrimage to Mecca – one of the Five Pillars of Islam and a profound spiritual achievement. Adding “Haj” before a name honours both religious devotion and community esteem.

After the pilgrimage, men are called “Haj” and women “Hajja,” followed by their given name. The name “Brahim” is the Arabic form of Abraham, a revered prophet in Islam, Judaism, and Christianity, symbolizing faith and devotion. Thus, “Haj Brahim” means “Abraham, who has performed the Hajj,” reflecting both spiritual accomplishment and a name rich in tradition. He was a beautiful kind soul that had spent 30 years in the UK, and had a brilliant sense of humour.

Nestled in a tranquil corner of Toubkal National Park, just over an hour from Marrakech, Dar Tassa is an eco-friendly mountain retreat whose name – “The Home of Motherly Love” – captures the warmth and welcome that awaits every guest.

Framed by soaring Atlas peaks and wild, unspoiled nature, this charming guesthouse offers a haven from city life, blending modern comforts with the timeless hospitality of the Berber people. Floor-to-ceiling windows flood the interiors with light and breath-taking mountain views, while the soothing fountain at its heart invites quiet reflection. Whether you seek gentle strolls through the valley, exhilarating alpine adventures, or simply a peaceful terrace to savour traditional Moroccan cuisine, Dar Tassa is a doorway to both relaxation and discover – a place where “marhaba” is not just a greeting, but a way of life.

As we arrived, Haj Brahim greeted us with a warm smile and a gesture steeped in tradition “hleb b tmar” (حليب بالتمر) or “halib bil tmar”- a glass of cool, creamy milk accompanied by plump, sweet dates. This simple offering, cherished by the Amazigh as a symbol of welcome and blessing, was his way of sharing both hospitality and heritage. In that gentle moment, the spirit of the mountains and the generosity of their people were beautifully, deliciously revealed.

I was shown to my room – Studio Toukbal – the finest suite available, boasting a breath-taking view that swept down the valley, a panorama so stunning it felt almost otherworldly. After a delicious lunch – one so memorable I forgot to photograph it in my eagerness for the adventures ahead – I began my afternoon with a captivating demonstration: the art of crafting a unique, traditional bread.

In the High Atlas Mountains, the Amazigh – Morocco’s indigenous Berber people – bake their beloved ‘tanort’ bread in a clay wood-fired oven called a ‘takat’. This rustic flat round loaf, enriched with aromatic fennel seeds, is a hallmark of Amazigh hospitality. The name “Amazigh” means “free people,” and their bread, with its golden crust and fragrant, smoky flavour, beautifully embodies the warmth and enduring spirit of their mountain culture. It was delicious.

Amanda, the extremely gifted New Zealand chef who has called Morocco home for over twenty-three years, welcomed me into the Dar Tassa kitchen in Tassaouirgane with genuine warmth and expertise. Against the backdrop of the Atlas foothills, she showed me how to craft a goat tagine, using her own homemade, organic ras el hanout – a fragrant blend of rose petals and mountain spices.

As the tagine started to simmer, Amanda’s stories of embracing Amazigh traditions and sustainable living mingled with the rich aromas, making the experience a true celebration of Moroccan heritage and her remarkable culinary journey. It was 16:23 when we started the cooking process, placing the Tagine on its stand, known as a majmar (مِجْمَر) which in Moroccan Arabic literally means a brazier or charcoal burner.

As the Tagine simmered gently, filling the air with the promise of rich, layered flavours, Haj Brahim invited us to stroll through the village -a place marked by both the scars of the 2023 earthquake and the resilience of its people. Wandering the quiet paths, we witnessed not only the visible traces of destruction but also the heartfelt efforts to rebuild and restore the community’s spirit. On this poignant afternoon, at the close of the Muslim festival, I hesitated to take lots of photographs, sensing that no image could truly convey the emotional weight of what we experienced. Some moments, I realized, are best preserved in memory, where their true significance quietly endures. The image above vividly reveals the volcanic past, with the distinctive shapes of ancient molten rock visible near the centre at the top.

Bejloud, also known as Boujloud or Bilmawen, is a vibrant Amazigh (Berber) festival celebrated in Morocco after Eid al-Adha. Participants, often young men, dress in the pelts of sheep or goats sacrificed for Eid, don masks or paint their faces, and parade through the streets with music, dance, and playful antics. Sometimes called “Morocco’s Halloween,” Bejloud has roots in pre-Islamic rituals celebrating nature’s cycles and the balance of good and evil. The festival blends theatrical performance, social commentary, and communal blessing, as those in costume interact with the crowd, believed to ward off evil spirits and bring good fortune. Today, Bejloud remains a cherished tradition, uniting communities in joy and connecting them to Morocco’s rich cultural heritage.

As we wandered through Tassaourigane, we were greeted with warmth at every turn – villagers celebrating, children laughing and fleeing the playful ‘men with horns’, and joy filling the streets. Out of respect, I took just one photograph, with our host’s permission, capturing a home that had in some way, only just weathered the 2023 earthquake.

Soon, a local youth leader and his brothers, known to our host, beckoned us in for coffee. We followed them into a simple home with visible cracks, fixed with mortar, where we sat together on a large open terrace soaking in the setting sun behind us, and taking in the genuine hospitality of these humble, kind-hearted people, a memorable experience never to forget.

It was time to carry on the walk, our Tagine was cooking and we still had some places to see. I am going to leave the afternoon in the air, the village of Ouirgane is beautiful, and at the start of the Jebel Toukbal trail, I subsequently discovered a close friend, an artist had stayed there, in the same Dar Tassa in 2009.

Just as we were about to gather around the table and savour our Tagine, a sense of anticipation filled the air. The security cameras flickered to life, revealing lights weaving their way along the path. From the terrace, we glimpsed flashlights bobbing in the darkness, heard voices approaching, and caught the distant, hypnotic beat of a drum. Haj Brahim turned to us with a smile and asked if we would welcome visitors. With eager hearts, we agreed—and in that moment, we were graced with the magic of Bejloud. Before our eyes, the ancient celebration unfolded: vibrant costumes, rhythmic drumming, and spirited dancing transformed the night into a living tapestry of tradition. The hand-beaten drums echoed through the air, drawing us into the heart of Moroccan culture. It was a truly unforgettable experience, a rare and wonderful gift that connected us to the soul of the community.

As our newfound friends melted into the night, their laughter and the distant pulse of Bejloud drums lingering on the breeze, a gentle calm settled over us. It was time to gather and savour the Goat Tagine, which had been quietly simmering since 16:23, its rich aroma weaving through the air like a promise. After five and a half hours, the meat was impossibly tender, yielding at the slightest touch. By the soft glow of evening, the three of us shared the meal in the timeless tradition – no knives or forks, only the crisp, smoky tafernout bread to cradle each fragrant morsel. The food was exquisite, but it was the moment itself – bathed in warmth, tradition, and quiet wonder – that made it truly magical.

……………………………………Until next time…………………………..L8ers