From Farm to Table and Gallery to Gift—A Moroccan Day of Indulgence and Inspiration (Day 5)

I awoke and blinked into the golden Moroccan light, hardly believing it was already Wednesday, the last full day in Essaouira. Since stepping off the plane the previous Saturday, the world I’d left behind had melted away: work, customers, endless problem-solving, even the distant rumblings of the world economy, all had faded into irrelevance. This journey had done its magic, untangling the knots of daily life and filling the space with colour, flavour, and discovery.

Each sunrise brought new marvels, and I found myself immersed in the rhythms of Morocco, its vibrant markets, ancient traditions, and the intoxicating pulse of its cuisine. Guiding me through it all was Amanda: not just my personal guide and masterful chef, but a kindred spirit whose passion for Morocco’s culture and food opened doors I never knew existed. With every shared meal and story, I felt a sense of wonder grow, a reminder that travel, at its best, is a gentle awakening to beauty, friendship, and the joy of being fully present in the world.

Making a rich saffron hollandaise is one of life’s true pleasures, luxurious, golden, and deeply satisfying. I’ve had the delight of whisking it to silkiness a few times before, most memorably at Rick Stein’s Cookery School in Padstow, where it crowned a beautiful ‘tronçon’ of turbot. This morning in Essaouira, the sauce would take centre stage once again. Earlier in the week, we had cured some trout in a vivid blend of beetroot, salt, and sugar, and now it was ready for its moment: breakfast as an event. Slices of the jewel-toned trout were paired with creamy avocado and a perfectly poached egg, all generously draped in that opulent saffron hollandaise and finished with a satisfying crack of fresh black pepper. Each bite was a celebration—of technique, of flavour, and of the sheer joy of starting the day with something extraordinary.

Way back in 2013, I found myself in Puglia, at Masseria Montenapoleone, an organic farm nestled in the sun-drenched heart of southern Italy. It was my very first cooking vacation and the spark that ignited countless culinary adventures to come. There, I learned the subtle art of using flowers not just for beauty, but to create a vibrant, bio-diverse environment: drawing the so-called “unwanted” plant eaters away from crops, while inviting in the pollinators and beneficial insects that keep nature in balance. Akal, here in Morocco, is very much a kindred spirit—an eco-farm that weaves flowers into every aspect of its philosophy. At Akal, the blooms aren’t just guardians of the fields; they’re also an integral part of the tasting experience, gracing the table and infusing the most imaginative, flavourful menus with colour and fragrance. Dining here is more than a meal—it’s a celebration of nature’s harmony, and a reminder of how the smallest details can transform the way we taste the world.

Our lunchtime destination was no more than 15 minutes drive, Domaine Du Val D’Argan. Domaine du Val d’Argan is a remarkable testament to vision, perseverance, and the unique character of Moroccan terroir. Founded by Charles Melia, a seasoned winemaker with deep roots in both France and Morocco, the vineyard sits just outside Essaouira, where the Atlantic winds sweep over limestone and clay soils, echoing the Rhône valley’s own mistral. What began as a retirement dream became a pioneering adventure: Melia cleared stony ground by hand, planted the first Rhône varietals, and patiently learned to coax vines to thrive on the edge of the desert, sheltering them from fierce sun and wind with natural methods and organic care.

Today, Val d’Argan is a landscape of lush vine rows bordered by sorghum and eucalyptus, where dromedaries still help tend the land and the cellar holds the promise of Morocco’s finest vintages. The wines—ranging from bright, aromatic whites to robust reds and elegant rosés—capture the sun, wind, and wild spirit of their setting. Visiting the domaine is more than a tasting; it’s an immersion in a story of resilience and passion, where every glass reflects not only the land’s bounty but also the quiet determination of its founder. This is a vineyard where French tradition and Moroccan landscape meet, yielding wines—and memories—that are truly one of a kind.

I found myself ‘in the moment’ once again, shaded beneath the branches of an ancient olive tree at Domaine du Val d’Argan. Plates of freshly prepared food appeared in a steady, generous procession, vivid salads bursting with local flavour, a fragrant tagine, and turkey roasted on kebab skewers, each dish a celebration of Moroccan abundance. Glasses of the estate’s wines flowed freely, each one a new discovery.

The “Gazelle de Mogador” in white, red, and rosé offered a taste of the Atlantic’s easy elegance, while the Val d’Argan range echoed the vineyard’s Rhône heritage, capturing the region’s sun and wind in every sip. Yet it was the Perle Grise that truly captured the spirit of the place for me, a wine as pale as morning light, delicately aromatic, with hints of citrus blossom and wild herbs, perfectly refreshing beneath the olive canopy. As the afternoon stretched on, a rich chocolate dessert arrived, rounding out a meal that was both relaxed and luxurious. At Domaine du Val d’Argan, the artistry of winemaking and the generosity of Moroccan hospitality come together in a setting as memorable as the wines themselves, a place where every glass tells a story, and every moment lingers long after the last sip. It was time to head back to Essaouira for some last minute exploration.

As we entered the medina, the air shimmered with the ethereal tones of a young man playing a handpan, his fingers coaxing otherworldly melodies from the spaceship-like drum that echoed off the ancient stone walls.

As the sun dips toward the Atlantic, the ancient medina of Essaouira began to pulse with an energy that is both timeless and electric, the unmistakable prelude to the Gnaoua World Music Festival. For a few magical days each year, the city’s labyrinthine alleys and windswept squares become a living stage, as hypnotic rhythms and haunting melodies spill from every doorway and rooftop. The air grows thick with the deep, trance-inducing thrum of the guembri, the metallic clatter of krakebs, and the soaring call-and-response of Gnaoua singers, their music weaving a spell that draws locals and travellers alike into its embrace.

Founded in 1998, the festival is a vibrant celebration of Gnaoua culture, descendants of West African slaves who brought with them a mystical musical tradition rooted in healing, spiritual trance, and communal memory. Over the years, the festival has blossomed into a global gathering, where Gnaoua masters share the stage with jazz virtuosos, blues legends, and musicians from every corner of the world. This fusion of sounds creates a heady, intoxicating atmosphere, where ancient African rhythms meet flamenco, reggae, rock, and Sufi chants, all under the open Moroccan sky.

The festival is more than a concert—it’s a living tapestry of history, spirituality, and artistic exchange. The music, once used in sacred rituals to heal and connect with the divine, now fills Essaouira’s medina with a sense of unity and celebration. For a few unforgettable nights, the city becomes a crossroads of cultures, a place where the boundaries between audience and performer, past and present, seem to dissolve in the intoxicating swirl of sound and spirit.

This stunning plate ( a present for my best friend and wife forever ), is a true testament to Moroccan artistry, its surface alive with intricate geometry and vibrant colour. Crafted in the traditional style of Fez, the design radiates from a central starburst, each petal meticulously hand-painted in shades of emerald green, saffron yellow, and soft rose. Delicate crosshatching and fine black lines create a mesmerizing lattice, while the outer border is woven with interlocking patterns that speak of centuries-old craftsmanship. The plate’s symmetry and precision are captivating, drawing the eye inward and inviting contemplation of the skill and patience required to create such a piece. More than just a vessel, it is a celebration of heritage, a beautiful reminder of Morocco’s rich ceramic traditions and the enduring allure of handmade work.

In the heart of Essaouira’s medina, you’ll often come across what locals call the “magic box”, a beautifully crafted container made from the region’s prized thuya wood. Native to Morocco’s coastal forests and especially abundant around Essaouira, ‘thuya’ wood is renowned for its rich, swirling grain, warm hue, and natural, cedar-like fragrance

Artisans here have honed their craft for generations, turning thuya burl into intricate puzzle boxes, lidded spheres, and inlaid treasures, each one polished to a satiny sheen and finished with lemon oil to enhance its natural luster. These boxes are more than just souvenirs; they’re a testament to Essaouira’s heritage of marquetry and woodworking, a tradition dating back to the 19th century when sultans commissioned decorative objects and furniture from the city’s master craftsmen.

Whether used to store spices, trinkets, or secrets, a thuya wood “magic box” from Essaouira is a piece of living history, fragrant, tactile, and always a little mysterious, as if it holds a story all its own. Our son loves his…

………………………………..Until Next Time………………………….L8ers

Eating Venice, And Generally Avoiding Crowds 3.

I woke up at 04:30 on Monday morning, the excitement of the day was probably flying around my head, beckoning me to get up and start exploring, I took a brief look out the window and went back to bed!

The daily routine repeated itself until departure, Venice is just a wonderful place to explore so I was determined to get as much out of my few days as possible, after putting so much time into planning things. A knock at the door just after 08:00, ‘buongiorno’, breakfast had arrived, perfecto. Fresh Croissant, various bread and conserves, ham and cheese and a Latte, it did the job, I was not in Venice for a ‘fry-up’!

The 1st day was going to be a real test, had my planning process worked, the timings, route etc. Test one was getting a weeks Vaporetto ticket at the local water bus stop, again, there were so many recommendations and comments on social media, I ignored them all, went up to the ticket machine, selected English, 7 Days, inserted the credit card, PIN code, and boom, le ticket arrivé, simples, next stop The Penny Guggenheim Collection for some arty education.

As well as a host of well known names such as Salvador Dali, Henri Laurens, Max Ernst and Pablo Picasso, a special exhibition was being presented, dedicated to Jean Maurice Eugène Clément Cocteau a french poet, playwright, novelist, designer, film director, visual artist and critic. He was one of the foremost artists of the surrealistavant-garde, and Dadaist movements and an influential figure in early 20th century art, and a drug addict! The largest picture in the above gallery is one of his, as is the ‘interesting’ one below, Violinist, Study for a Poster for the Menton Music Festival circa 1920.

There is a lovely view of the Venice Prefect building ‘canal side’, and a delightful cafe selling homemade delights and serving coffee and tea, oh well, when in Venice.

Much of his work ‘didn’t do it for me’, but there were a few that seemed to be a route into his mind, probably during a drug ‘high’ in some cases, nonetheless I thoroughly enjoyed Penny’s collection and Jean Cocteau was definitely interesting, it’s really worth a visit if you are in Venice, I got a copy of the 257 page guide with the complete collection with pictures, as many are not on display.

During my research I had read a little about the famous Venetian ‘rowing boat’, the Gondoler. These magnificent craft are built by hand, without plans, from memory in a A Squero, a factory dedicated to their production and I was trying to arrange a visit, unfortunately they were so busy, they did not have time to allow a tour but I still made for Squero Di San Trovaso, an iconic location, and cicchetti stop, I was peckish! There is another Squero to the north of the city where you can also arrange a visit, but I found out too late, it’s more of a museum and restoration project though.

Continuing to plan, a trip to one of two Leonardo de Vinci exhibitions, via the Ponte dei Pugni, the ‘Bridge of Fists’ where disputes were settled by a ‘punch up’, I noticed at least three towers in Venice that had varying degrees of lean, fingers crossed they will be sorted before they lean to far and collapse!

Banksy has been to Venice, and managed to paint ‘The Migrant Child’ dated 2019, it’s going to be restored thanks to Italy’s culture ministry, its certainly a tourist stop for those in the know, located at ‘shhhh”, explore and find it yourself, it’s really very poignant.

It was time for a quick pit stop before the next visit, Botegga del Caffé Dersut was right next to the Basilica Di Santa Maria Gloriosadei Frari and serves delicious cannoli and the most refreshing iced ‘shakerto’, chilled coffee in my case infused with cardamom, delicious.

The Basilica was amazing, and almost completely empty which had been the theme throughout the day, I don’t do crowds, my better half has suspected I might be slightly ADHD and possibly OCD for many years, in more recent times I just prefer space and try to avoid confined areas and places that are crowded, luckily, so far, the day had been almost dreamy. Another guide to add to the collection and descriptions of the magnificent paintings, carvings and architecture, a stunning place to visit.

The last stop of the day was just brilliant, and certainly a ‘must do’ if you have even the slightest interest in the history of cartoons, cinema and the wonderment of the huge numbers of characters that have been created over the years, from Popeye to Pinocchio, Laurel and Hardy to Mork and Mindy the Venice Vintage Toys Museum contains over 5000 pieces, so many extremely rare, curated by the passionate Fabrizio Fontanella, what a place to finish the days touring.

I spent ages looking through the various cabinets and displays, being taken back to my childhood, black and white memories morphing into colour as technology developed, a few particularly caught my eye but one grabbed my attention.

My first ever international blog post was way back in June 2013, I had just come back from Masseria Montenapoleone in Puglia, southern Italy on my first week long cookery school. I was taught to cook real Italian food by the most amazing ‘nona’, she was just brilliant. In the picture I am making the original Tiramisu with the ‘proper’ biscuits. Now try and find them in the pictures above, the Tiramisu was perfect!

The day had been brilliant, the planning worked, timings were good and the Toy Museum had been an unexpected surprise taking me back to my first trip to Italy, to an amazing cookery school. Thank-you Fabrizio for taking the time to talk me through the exhibits, and removing some foodie ones for a photograph or two.

As I made my way back to the hotel, I notice another 80 degree tower!, I was convinced it had a slight lean. After a relax, refresh and change of clothes I was off to dinner at an iconic restaurant, featured in the film starring Jonnie Depp and Angelina Jolie, ‘The Tourist’, The Hotel Danieli. Unfortunately, it was too windy to eat on the terrace, but the dining room was opulent and views very pleasant looking out to the lagoon.

Impeccable service was obvious from the moment I arrived to the time I left, it would have been rude not to try a Bellini before starting the tasting menu and wine flight, which proved to be a delicious experience from start to finish.

Freshly made bread was really good, the Baccalà Mantecato delicate but flavourful, the Rissoto I felt could have done with another minute in the pan, it had a slight chalkiness to the texture, but it still tasted damn good, the Saffron Cod was a delight, the Panna Cotta perfectly wobbly and not rubbery or firm.

Day one had been a complete success, yes I was a tad tired (being polite here), I felt overwhelmed by the days adventure and walking back towards the hotel I noticed ‘that’ leaning tower in the night sky, tell me it’s not leaning slightly, maybe even more than slightly.

……………………. Until Next Time ………………. L8ers …………………..